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Nikon D3200 reviewThe Nikon D3200 is an entry-level DSLR with a friendly guide mode – ideal for fledgling shutterbugs that don’t know their aperture from their ISO.

Following on from its predecessor, the Nikon D3100, though not replacing it, the brand new Nikon D3200 has upped the ante for entry-level DSLRs, thanks to its show-stopping 24-megapixel sensor.

Going up against the likes of the Sony Alpha A65 and the Canon EOS 600D, the Nikon D3200 has got its work cut out when it comes to earning a place in ourBest Digital SLRs list.

The D3200′s lightweight chassis, which hasn’t changed much in design terms since the previous model, weighs in at just 505g (with battery and memory card) which means that it never becomes cumbersome, even after carting it around all day.

At 125 x 96 x 76.5 mm, the chassis isn’t too chunky, but still remains reassuringly sturdy and while Nikon makes no claims about waterproofing, the D3200 proved to be reasonably resilient to the elements when we tested it in the pouring rain.

The D3200 is available in conventional black or a shiny red finish, should you be so inclinded.

One of the key selling points on the new snapper is the guide mode. Enhanced since its inclusion on the D3100, this nifty feature is easily accessible via the top-mounted dial and holds your hand through the basics. Teaching you how to set up a variety of shots, it even includes examples of how the pictures should look.

For example, one of the tutorials shows you how to get the best picture of a sunset by tweaking the white balance to capture the red tones. Follow the suggestions, alter the settings and the picture will change to reflect how the finished article will look. There may be a few kinks to iron out (such as the overeager pop-up flash), but it’s a damn good starting point for newbies.

You can read the rest of the article at T3.com (originally published 17 May 2012). 

Netflix reviewNetflix offers unlimited online streaming of movies and TV for just £5.99 a month, but can it take on main rival Lovefilm? Find out here…

Netflix has been offering online movie streaming in the US since 1999, but it’s taken until now for the service to make its way over the pond to the UK. For £5.99 a month, you’ll get unlimited access to the Netflix library of films and TV programmes, which means that the service will be going head-to-head with the Lovefilm Instant offering, currently priced at £4.99. The gloves are off in the Netflix vs Lovefilm rumble, but how does the new kid on the block fare?

Netflix: Streaming

There’s no denying that just six quid a month will get you a sizable chunk of films and TV to choose from, although it’s worth considering how much strain it could place on your Broadband data cap. If you go above the set limit on your ISP package, you could well end up getting charged for the extra data – an important point to keep in mind if you’re planning on getting the most out of your monthly £5.99

Netflix: Devices

As well as streaming from your computer, Netflix works on pretty much all of the major platforms, including Sony PlayStation 3Nintendo WiiXbox 360,Apple iPhone and Apple iPad. There are also client for various web TVs from the likes of Samsung, along with LG Blu-ray players and LG home theatre systems, along with media streamer boxes from brands like Roku.

The fact that Netflix works on Apple TV as well as across numerous Androiddevices is also a major boon, and something that Lovefilm doesn’t currently offer (there is an Android app where you can manage your list and settings, but no streaming).

However, Lovefilm is aiming to be make its service available on as many devices as possible so it’s a reasonable assumption that we won’t have to wait too long to see streaming capability on Android devices.

The ability to stream Netflix via the iPhone app using 3G is also great news, although it probably depends on what the 3G signal is like where you live, or more likely what it’s like at your gym or on your commuting route, as we’re guessing those are the the places where most people will want to watch Netflix on their phone’s relatively tiny screen.

Buffering on both the iPad and Android tablet apps is surprisingly swift meaning that you get get stuck into watching your chosen title pretty much straight away.

Syncing between devices is a nice touch, which means that you could start watching something on your laptop, and then pick up where you left off at a later time on another device. The UI is simple to use and more or less the same across different platforms, so the whole experience is pretty much uniform, no matter what you’re gadget you’re watching on.

You can read the rest of the article on T3.com (originally published 1 February 2012).

Christopher HitchensChristopher Hitchens 1949-2011

I found out that Christopher Hitchens had passed away during my usual breakfast time sweep of the news feeds on Twitter, and my first (perhaps, rather selfish) thought was how sad I was that I’d no longer be able to read his regular contributions to Vanity Fair and Slate. His own sibling, journalist Peter Hitchens described, in a heart-breaking piece, how he’d heard about his brother’s death on a morning radio bulletin.

The famous author, journalist and polemicist finally succumbed to oesophageal cancer after being diagnosed in 2010 during a book tour to promote his autobiography, Hitch-22.

Christopher HitchensIt wasn’t just his razor-sharp wit, his compelling and accessible writing style and his gift for oratory that set him apart from most modern-day scribes, it was his unflinching passion for tackling the most sensitive and complicated of subjects, with no target too sacred. Most writers wouldn’t dream of partaking in the kind of heresy that Hitchens displayed in his scathing attack on Mother Teresa, claiming that she opposed measures to end poverty, such as the provision of contraception, preferring to instead to encourage the poor to accept their poverty.

Hitchens (or Hitch) also penned The Trial of Henry Kissinger in which he argued that the National Security Advisor and later Secretary of State to Presidents Nixon and Ford should be prosecuted for war crimes. Not one to rest on his laurels, Hitchens constantly pushed the boundaries, even agreeing to be waterboarded for a piece in Vanity Fair.

Christopher HitchensImpossibly well read on a vast variety of subjects, Hitchens was something of a polymath, not unlike one of his heroes, Founding Father Thomas Jefferson. Hitchens was also an admirer of English radical Thomas Paine who, as the author of revolutionary pamphlet Common Sense, was a heavy influence on Jefferson, playing a key role in shaping the political landscape that surrounded the drafting of the Declaration of Independence.

Forming part of the so-called ‘Four Horsemen of New Atheism’ alongside non-believers Richard Dawkins, Dan Dennett, and Sam Harris, Hitchens was an outspoken critic of religion. While Jefferson sought merely (but wisely) to keep the state and the church separate, Hitchens was more interested in abolishing organised religion altogether, earning him just as many critics as supporters. Famously, Hitchens was also a huge admirer of George Orwell, something which he put on record in his book-length essay on the subject named Why Orwell Matters (published as Orwell’s Victory in the UK).

Christopher HitchensSome of Hitchens’ views may have been somewhat questionable, none more so than his support for the invasion of Iraq, but it was impossible not to respect the extraordinary skill and eloquence with which he argued his point.

If more journalists possessed even a tenth of Hitchens’ impressive vocabulary and command of the English language, as well as his tenacious skepticism in the face of accepted opinion – not to mention his ability to meet deadlines with near-perfect prose after a night on the booze – the press would be a far better place.

The world’s greatest thinkers and writers have almost always been contrarians, heretics and, in some cases, outlaws (in the nonconformist sense, not the gunslinger sense). The writers that really make a difference to society are the ones who make us question, and that’s why Hitchens matters.

Worth a read – tributes to Hitch from:
Vanity Fair’s Graydon Carter
Journalist (and Hitch’s brother) Peter Hitchens
Author Sam Harris

Liana camerasThe glory of good ol’ fashioned film photography is that you never know exactly what results you’re going to get. There’s no handy LCD screen on which to review your shots, so you’re completely at the mercy of your film — though half the fun is that any mistakes can be passed off as intentionally-arty effects. Here are some top tips to get you started…

Kit

1. The cost of buying and processing film may be relatively high to those who are used to fitting hundreds of snaps onto an SD card, but the camera itself needn’t cost you the Earth. Analogue specialist Lomography offers a wide selection of low-cost film cameras such as the sub-£50 Diana Mini and wide-angle La Sardina, or you can get yourself a Holga or Blackbird if you’ve got a bit more budget to play with. Most of the top camera brands are digital-only nowadays, but you can pick up second-hand units such as the popular Canon AV-1 on eBay or in specialist camera shops.

2. If you’re after steady, quality shots, then using a tripod is a no-brainer. Most cameras sport a standard tripod mount on the underside making it easier to simply fit your accessory of choice. Pro tripods will cost you a fair few pennies but there are plenty of cheaper options around, not least Joby’s wide range of flexible Gorillapod tripods which can be adjusted to suit their surroundings and won’t break the bank either.

3. An easy way to add a splash of colour to your snaps is to make use of a colour filter on the flash. Some flash models will come with their own set of colour gels or you can pick up a cheap set like these colour lens and flash filters from Photojojo, which as the name suggests, can also be held over the lens for colourful effect. Alternatively you can make your own filters for next to nothing using coloured sweet wrappers or by colouring a piece of sticky tape or clear plastic with a marker pen.

4. Investing in some extra lenses is a good idea, even if you’ve only got a lo-fi toy camera. Even if it’s a fixed focus snapper, attaching a close-up, wide-angle or fish-eye lens using gaffer tape can produce some surprisingly good results (although it might make you look like you’ve lost the plot slightly).

5. Instant cameras make a nice retro-flavoured addition to your camera collection, whether that’s a vintagePolaroid SX-70 or a brand new Fujifilm Instax 210. Alternatively, Lomography sells instant backs for itsLC-A+ and Diana+ models, which can be easily fitted and offer you Polaroid-style snaps (albeit the size of a credit card), without the hassle of getting the film processed.

6. Getting yourself a negative scanner could well save you a lot of pennies as you’ll only need to pay the photo lab for processing. There are plenty of models to choose from, ranging from budget negative scanners for under £50 to multi-function flatbed scanners that can be used for documents and photos as well.

Film

7. You can get all kinds of camera film, although it’s not quite as readily available as it once was. There are still limited supplies available in most chemists and camera shops, but specialist shops, like the Lomography stores, are your best bet. It’s also worth having a scout around on eBay for expired film. It may be out of date, but it’ll still work and you might even get some fancy effects that you weren’t expecting.

8. When choosing which film to use, it’s important to check the ISO, which refers to the speed of the film. The higher the number, the faster the film. If you’re shooting on a gloomy day then it’s best to go for a high ISO (800 and over), while you’ll need a very sunny day to get any decent results from a film with a low rating (100 and under). Film with an ISO rating of 400 is a safe middle-ground for most conditions.

9. If you want some cool results, then try to think beyond the classic colour neg film. Black and white film will give you moody monochrome shots, while slide film offers striking colour saturation for a bold, arty look. It’s also worth checking out redscale film which will give your snaps a nostalgic orangey-red glow.

10. Colour infrared film is notoriously hard to track down these days since Kodak stopped making it a few years back, and it now only occasionally turns up on eBay. Originally designed for aerial photography,colour infrared film offers crazily bright colour combinations, especially when teamed with a suitable colour lens filter.

11. If you’re feeling extra brave, then try re-spooling and re-using your film. This will effectively give you two sets of shots on one film and it’s pure luck as to whether this will give you awesome results or just a big mess, which is part of the fun. All you need to do is rewind your film as you normally would, but leave a small section of film poking out of the canister. You can then simply re-load the film into your snapper (or a different camera if you want to mix up the results).

12. If you’ve got yourself a vintage Polaroid snapper then the only place you’re likely to find the genuine Polaroid instant film is on eBay. The good news is that the clever folk at The Impossible Project, formed by former Polaroid employees, offer a new generation of instant film, which can easily be picked up online or in specialist camera shops. You can also still buy Fujifilm instant film for use in its Instax Mini 7 (also re-badged as the Polaroid 300) as well as Lomography’s instant camera backs.

You can read the rest of the article on Gizmodo.co.uk (originally published 05/12/11) and it also appears on Lomography.com.

Image credit: Golfpunkgirl

Kobo TouchCanadian ebook specialist Kobo recently signed a UK exclusive deal with WH Smith to sell its two new models – the Kobo Wi Fi and the Kobo Touch.

While the Wi Fi model comes with a wallet-friendly price tag of £89 that puts it head to head with the new Amazon Kindle, the Kobo Touch adds touchscreen capability along with an extra £20 to the price. We took the touch-control Kobo for a test run to find out how it would fare.

Kobo Touch – Build

Almost identical to the Kindle in size and shape, the Kobo sports a silky brushed rubber finish to add bit of grip for the more ham-fisted among you, while the raised, quilted finish on the back makes it even more comfy to hold – possibly even more so than an actual paper-based book.

Kobo Touch – Screen

Pages render very slightly slower than on the Kindle, although they’re certainly not sluggish enough to stop you from reading at Kobo Touchnormal pace. Text and images are just as clear as they are on the Kindle, but as with Amazon’s gadget, the screen isn’t as good as paper just yet.

Kobo Touch – Controls

Unlike the Kindle, the Kobo has done away with all physical controls – except for a solitary Home button and a power switch – in favour of touchscreen control, giving you more room to grip the gadget without knocking any buttons. Pages can be turned simply by tapping the left or right side of the screen, or by swiping across the display.

You can read the rest of the article on Stuff.tv (originally published Nov 2011).

Disposable Memory ProjectWhen the nice folk at Kodak asked if I wanted to get involved with the Disposable Memory Project, I jumped at the chance, given that I’m a huge fan of film photography. The Kodak chaps recently provided me with some disposable cameras for a feature where I spent seven days working only with film  - no digital allowed – so I was keen to get stuck in once again.

Established in April 2008, the Disposable Memory Project is a “global photography experiment” where throwaway cameras are passed on to others or left in public locations around the world.

Disposable Memory ProjectEach camera includes a message urging the finder to take a few pictures and then pass the snapper on. There are also instructions on where to return the camera to when the film is finished.

More than 350 camera have been released already and you can see the results from those that have made it safely home over at the Project’s website. So far, more than 70 countries have been visited, with the cameras racking up over 440,000 miles of travel between them.

Disposable Memory ProjectMy Kodak Ultra single-use camera started its journey in South London and spent a short time travelling around the Big Smoke before jetting off to Washington D.C in the US of A, courtesy of my mum. From there, who knows where it will end up. You can follow its progress on its own little tracking page.

If the Disposable Memory Project sounds like your kind of bag, then you can get involved yourself by contacting the chaps in charge or follow the Twitter feed on @foundacam.

Lomography LomoKinoAnalogue camera specialist Lomography has unveiled its very first movie camera, the LomoKino, and we were invited along to Lomo HQ for a top secret exclusive preview prior to the official launch.

As we’d already received an invite to the launch event in the form of an old cinema ticket along with a pack of popcorn, we’d guessed that the new product would be a movie gadget of some sort. However, while most internet rumours pointed towards some form of 8mm movie cam, the LomoKino actually uses good ol’ 35mm, which is nice and cheap to buy and easy to find, unlike 8mm cine film.

Equipped with a 25mm lens, the LomoKino takes 4 shots per frame, giving you a total of 144 shots on a roll which, when edited together into a digital movie file, should give you a silent film lasting between 36 and 48 seconds (at around 3-4 frames per second). You can use any type of 35mm film – whether that’s conventional colour negative, slide film or black and white – and all you need to do is turn the film crank on the side of the camera to capture your shots. Varying the speed of the crank will determine how slow or fast your film is and you can either take it all in one go, or stop halfway through and pick up “filming” later on, in another location.

The camera is available on its own, or in a bundle with the LomoKinoScope – a small black box into which you can spool your developed slide film, hold up to the light and watch your movie. Obviously, you can also use the device to view other types of 35mm apart from slide film, but your images will appear in negative, rather than positive (as slide film is specifically designed to produce transparencies, rather than prints). Unfortunately, we didn’t get a chance to see the LomoKinoScope in action, but we did get our mitts on the camera and it’s a beauty.

Lomography LomoKinoThe modernist black plastic casing has a suitably retro look to it and although not the slimmest gadget in the world, it’s certainly small enough to fit into a bag (a fairly spacious bag, granted). And it’s also extremely lightweight and fits comfortably in the hand. Although we didn’t actually get the chance to shoot a roll, the loading mechanism all appears to be very straightforward, so you should be able to cut your own, hipster-flavoured version of Keystone Cops before you know it.

The rudimentary viewfinder pops up at the flick of a switch and packs down flat for storage. The viewing window is really quite tiny as it’s sized to match the quarter frame shots that you’ll be taking, so it’s a bit of a struggle to see through. However, most users will probably end up sticking to Lomo’s “shoot from the hip” ethos and doing away with the viewfinder in favour of freestyle shooting.

You can read the rest of the article on Pocket-lint.com (originally published 03/11/11).

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